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And now for something completely different, after all of those highly detailed, well focused portraits. I love the lighting that the photographer used for this shoot, and I love even more that he released these blurry, intense, candid shots. I love how the light plays over the strong planes of his face. We get to appreciate just how deeply set Adam's eyes are, the beautiful slant of his eyelid, the graceful swoop of his brows, the strong line of his nose, the flat plane of his cheek.
Photo used for reference taken by Jack Davison for an article in the NYT Magazine dated 14 Dec 2018.
2.5 hours for this one.
Photo used for reference taken by Jack Davison for an article in the NYT Magazine dated 14 Dec 2018.
2.5 hours for this one.
